Freddie Quell and Lancaster Dodd's dynamic is a square peg. At times, Freddie is like a misbehaving son and Lancaster is his father, tut-tutting his conduct while secretly approving of it — like when Freddie beats up a skeptic after they publicly confront Lancaster about his teachings and accuse him of running a cult. At other times, they come across as brothers or tight-knit buddies, especially when they're drinking a type of moonshine Freddie makes out of citrus fruit, torpedo fuel, paint thinner, and other chemicals (a brew only he and Lancaster can stomach). Then there are the moments where they seem like star-crossed lovers, giving rise to a climactic scene where Lancaster passionately croons "On A Slow Boat to China" to Freddie while the latter cries.
In terms of their acting styles, Philip Seymour Hoffman and Joaquin Phoenix are on entirely different tracks in "The Master." Hoffman channels Orson Welles, carrying himself with a magisterial air that only vanishes when he's challenged by someone, causing him to go red in the face and sputter obscenities. Phoenix, on the other hand, very much draws from the James Dean school of vulnerability, shifting from 0 to 100 on the emotional speedometer in the blink of an eye. "They obviously took their cues from the script and kind of created something bigger and better than I ever could have written out," Anderson told the Los Angeles Times.
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Some Of Joaquin Phoenix's The Master Scenes Were Invented On The Spot - /Film
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